(Or are they? — A joke.)
Sometimes I skip entire paragraphs while reading because the author is explaining something to me I learned in elementary. But I’m a writer, too; therefore, a bit guilty of this myself. We all are in someway or another.
“He used his toothbrush to brush his teeth, then brushed his hair with a…brush.” Well no crap.
We need to learn to trust our readers. Trust that they aren’t stupid and (hopefully) have common sense. When writing it’s easy to over explain, and not just simple things like what a toothbrush does, but ideas are expanded on that really don’t need to be.
We’re wasting space…or are we doing it for the word count? (There would be a winking emoji here if I thought emojis in blog posts were cool.)
I do it accidentally. I’m not intentionally spending a paragraph on something that’s explainable with one word…I just sort of forget that I’m not writing some other world novel where it would need to be explained.
‘I trust my readers!’ you say. Then you write “The Statue of Liberty, which is in New York…” If we trusted our readers we would trust that they had a brain. (We don’t need to explain to them all the different cliques in high school -ahem- YA novels.)
Or maybe as a writer, sometimes it’s hard to trust the reader willΒ get it. That’s not being mean or condescending. It’s more of a worry for the writer. We want everything perfect and we want people to understand what we’re writing (even when we’re simply implying–we don’t want it to go over everyone’s head.)
It does us more harm than good and gets people ah skimmin’. I think it’s best if we as writers remember that we’re readers, too. So when we look at our work we’ve got to make sure we’re not over explaining everything for the sake of clarity. Because we as readers skim that.
I think critique groups can be so helpful in this regard. Sometimes we are too close to the work, too determined (or desperate?) to make sure we’re understood.
On another note, I think autocorrect got you — high school is full of “cliques,” not “clicks.” Does it to me all the time, too. Darned autocorrect.
LikeLiked by 1 person
Ah yes autocorrect. I don’t even notice most of the time because my brain knew what I meant π thanks for your thoughts and for letting me know π
LikeLiked by 1 person
It happens with me many times when I read my work as a second person trying to understand if my readers would understand it or not. I keep on asking myself, would that make sense to the readers or should I elaborate?
LikeLiked by 1 person
I have a tendency to over describe in my first draft, and end up cutting out a lot of this in the revisions.
This is a tough one to pin down. Every reader has different tastes about this, and different genres have different conventions. I think you have to know your genre and give the readers what they are used to reading.
LikeLiked by 1 person
I don’t worry too much about telling people what they already know if it’s important to the voice of the speaker. I once wrote these sentences in a piece I submitted for publication in an anthology. ” During the summers of my youth I would watch him walk in front of my house twice a day. First when he was going to where ever he was going, and then when he came back from wherever he went.” Now it doesn’t take genius to figure out that he went wherever he was going and that when he came back, he had come back from wherever he had went. It’s kind of stupid to tell someone that if you think about it, and in many people’s opinion these are wasted sentences that lend nothing to the story. But in comments to that story that paragraph is one of the most quoted as being important to “learning the voice of the narrator”. It gave readers a sense of voice and rhythm. That is sometimes more important than the information you are providing. – Robert
LikeLiked by 2 people
I definitely think there are differences. Like yours for instance isn’t just “of course I know that” but lends something to the story. I’m more so referring to things that take away from the story, things that don’t tell you something about the narrator or the story.
LikeLiked by 1 person
FYI – I love that sentence! I can’t even read the rest of the piece and yet I have such a great idea of the narrator’s voice and character. Great line!
LikeLiked by 2 people
I find this to be a nice piece of advice to keep in mind, especially when working on a first draft of something. I tend to over explain or describe things when I’m excited about getting the right image to the reader, then I have to tone it down a little and edit. π
Thanks for your thoughts!
LikeLiked by 1 person
Wow this.. Is such a great post. Although, since we are on the topic… I skipped the second last paragraph. π
LikeLiked by 1 person
Well, I skipped your whole comment.
lol Obviously kidding! & Thanks!
LikeLike
Ouch! π
LikeLiked by 1 person
I think I’m guilty of this on my blog, haha. Some of my posts may be exceedingly long because I write this way out of habit. Then again, it’s not like I am going to publish a book based on my posts anytime soon…
LikeLiked by 1 person
I usually have cut a lot of posts lol I ramble on and on. Sometimes I leave it in, too. When I write a story I usually have to cut paragraphs because of this! π
LikeLike
I donβt mind rambling and like reading long blog posts. βΊ If it’s a story, yeah, maybe the cutting out helps take out unnecessary parts.
LikeLiked by 1 person
Got that right. Thanks for visiting and liking Ashen Valentine.
LikeLiked by 1 person
I love this post but wonder how the rules change between genres. Writing fantasy/sci-fi can make this even harder to manage, because we, as writers, aren’t sure what our readers will know. Will they know about the rules of magic or the rules of wishes or understand portals and exactly what nymphs look like? It’s a continuous balance between experienced readers who know all about fantasy and new readers whose interest you’re trying to peek without “dumbing it down” too much for them.
LikeLiked by 1 person
I think for fantasy/sci-fi you have the freedom to explain more because of the unknown. And when I do read those genres I enjoy the small details because I wouldn’t have known them otherwise. You have to find a good balance with any genre really. Thanks for reading π
LikeLike
Omg, this. I had to stop reading an actual expert in my field because he seriously stopped in the middle of a book to explain what “passing away” meant. I know I need to read this dude but I just…can’t. Maybe I’ll just get really drunk and try it again.
LikeLiked by 1 person
π that’s awful!! I couldn’t do it, I’d go crazy.
LikeLike
I love this post. There are so many ‘how to’ articles that say just the opposite, assume your reader doesn’t know. The thing I try to remember, especially since I write fiction, is that my reader also has an imagination, and is probably capable of imagining the same things I can!
LikeLiked by 1 person
Yeesh, I can’t imagine I’d love reading if every author I read assumed I was an idiot.
LikeLike
I actually have the opposite problem. I assume that since it makes sense to me, it makes sense to everyone else. I need other people to tell me what isn’t transferring from my mind palace to my book, or short story, or play.
LikeLiked by 1 person
I do that in poetry. I’m like, “what do you mean you don’t understand this out of nowhere allusion?” ππ
LikeLiked by 1 person